She hurried onward with bent head, trying to escape them. She felt so small, so helpless. Almost she cried out in her despair. Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God.!

“Does it matter what we call it?” answered Joan. “It was a voice.” “But they’re frightened of me,” he added, with a shrug of his broad shoulders, “and I don’t seem to know how to tackle them.”

The nurse raised the lid. “What a fool I’ve been,” she said. “I never thought of that.” “Nor would you,” he added, turning to her suddenly for the first time, “I know that. But I should be afraid—for you.” “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”